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Portrayals of gay characters in Chinese movies: A longitudinal look

机译:中国电影中同性恋人物的刻画:纵观

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摘要

ABSTRACTHomosexuals were considered criminals and abnormal in China, and the majority of Chinese homosexuals still hide in the shadows, especially in the mainland. However, demands of cultural pluralism and human rights are beginning to show a sign of tolerance to the minority group, especially among the younger generation. As a powerful form of mass media, motion pictures can create images of certain people, affecting the audience\u27s evaluation of a specific group or situation. This study examines the portrayals of gay characters in Chinese films over a sixteen-year period, focusing on the characters\u27 visibility (explicit or implicit), representation (positive or negative), and characterizations. A qualitative content analysis of ten Chinese movies with homosexual themes or having a sufficient role for a homosexual character was conducted. The sample covered movies released from 1993 to 2009. To be included in the study, the films must have been directed by a Chinese director and performed by Chinese actors, and set in Mainland China or a Chinese community. The result shows filmmakers of the analyzed movies tried to humanize them in an apparent effort to evoke sympathy toward and understanding of their plight. And most gay characters in the films suffered oppression from the society and their family. However, the government censorship severely limited the number and funding opportunities of homosexual-themed movies, making it difficult for such films to earn a profit. Even though some filmmakers and younger filmgoers are willing to bring the gay lifestyle into the light, government restrictions on content and distribution of the pictures has limited their exposure. And so the portrayal of gays in films has remained essentially the same during the years covered in the study. But a slight thaw in government regulation has allowed some gay characters to appear in mainstream movies, providing some indication that times are changing.
机译:在中国,同性恋被认为是罪犯和不法分子,大多数中国同性恋者仍然藏在阴影中,尤其是在大陆。但是,文化多元化和人权的要求开始显示出对少数群体的容忍迹象,特别是在年轻一代中。电影作为一种强大的大众媒体形式,可以创建某些人的图像,从而影响听众对特定群体或情况的评价。这项研究研究了十六年来中国电影中同性恋角色的表现,重点研究了角色的可见度(显性或隐性),表现形式(正或负)和特征。对十部具有同性恋主题或具有足够同性恋角色的中国电影进行了定性分析。样本涵盖了从1993年到2009年发行的电影。要纳入研究范围,这些电影必须由中国导演执导并由中国演员表演,并且必须在中国大陆或华人社区拍摄。结果表明,经过分析的电影的制片人试图将其人性化,以唤起人们对他们的困境的同情和理解。电影中的大多数同性恋角色都受到了社会及其家庭的压迫。但是,政府的审查制度严重限制了以同性恋为主题的电影的数量和融资机会,使此类电影难以获利。尽管一些电影摄制者和年轻的电影摄制者愿意将同性恋的生活方式介绍给公众,但政府对图片内容和发行的限制限制了他们的曝光。因此,在研究涵盖的年份中,电影中同性恋的刻画基本上保持不变。但是政府法规的轻微融化使一些同性恋角色出现在主流电影中,这表明时代在变化。

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  • 作者

    Zhang, Xuan;

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  • 年度 2014
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